Drawn from memory: reminiscing, narrative and the visual image

A brief review of Marcel Proust’s views on art, photography and memory, as expressed in his À la recherche du temps perdu (1913-27), sets the scene for a discussion of the value of photographs as triggers for reminiscing as well as scope and limitations for computer-based visual narratives. The paper is illustrated by three short video interviews with inhabitants of the Czech Republic and the Republic of Ireland. Each clip was shot as part of interactive flexible narrative programmes: “NM2: New Media for a New Millennium” a practice-based research project partially funded by the EC or a FUSION cross-border creative and digital media economic development project, funded as part of the Northern Ireland Peace Process. The clips demonstrate a range of different approaches to reminiscing. They include personal reminisces, social memory and a diachronic method of relating the past. The interviews form the basis for a discussion about the role of the visual image serving as a stimulus for reminiscing. For example we shall consider how personal memory relates to cultural memory, how the ‘objects of memory’ can be drawn upon and how they are recounted. Thus the function of photographicbased images as memory aids, or as stimuli for reminiscing, is placed in the context of the narratives that can be constructed around the image. The paper questions the role that photographic images have in the formation and reinforcement of personal and social identity. In such cases memory does not necessarily need to be based on events that have been directly experienced.